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tips for taking better photos And there is a healthy grain in this: a vertical photo loses a significant part of the environment and context, and it does not look the best photography.

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Any designer should be able to take pictures. This is useful for direct work, because instead of looking for the right shot on the stocks, you can go “in the field” and photograph exactly what you need.

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Those who are just starting to learn the photo business will benefit from a series of memos prepared by Nikon.

tips for taking better photos It understands: the device of the lens, shooting modes, white balance, shutter speed, exposure. Advice on genre shooting is also given.

The magic of everyday life: Giuseppe Esposito-Rodriguez gives advice on street photography

Giuseppe Esposito-Rodriguez has photography in his genes. He was born in Venezuela to an Italian father who loved landscape photography and.

Portuguese mother who enjoyed traveling photography. It was clear that Giuseppe would follow in the footsteps of his photographer parents wedding photographer leicester.

Since 2013, he has lived in Dublin, walking along the river and photographing waterfront lanterns, creating cinematic yet expressive images that have featured in publications such as Lonely Planet and Culture Trip.

tips for taking better photos Previously, Giuseppe regularly used a Canon EOS 5D Mark III (new generation available: Canon EOS 5D Mark IV ) with the following lenses: Canon EF 24-70mm f2.8L II USM , Canon EF 50mm f/1.4 USM and Canon EF 85mm f /1.4L IS USM.

Recently, he began to explore the possibilities of the ultra-portable Canon EOS M6 Mark II .

“The Canon EOS M6 Mark II is a versatile street photography tool with a high-resolution 32.5 MP image sensor, burst mode (14fps) and high-quality movies (4K without cropping) , and also provides a comfortable grip thanks to the comfortable handle, which helps to work outdoors for a long time. Like other Canon EOS M cameras , the EOS M6 Mark II can be used with the Canon EF-EOS M Mount Adapterand thus have the freedom to choose from over 80 EF and EF-S lenses, including specialized models such as macro and fisheye lenses.

In this article, Giuseppe shares his approach to photography, as well as tips and techniques for capturing extraordinary street photography.

1. Be aware of the legality of filming other people

Shot with Canon EOS M6 Mark II + EF-M 32mm f/1.4 STM

• f/1.4
• 1/200
• 800

Photographing crowds is a good way to depersonalize objects, but at the same time create a frame that reflects the atmosphere of a busy street.

It is always a good idea to find out if street photography is legal in the area where you plan to take pictures. However, in most countries, as a rule, taking photos in public places is allowed by default, unless otherwise specified by law, and this includes taking pictures of passers-by on the street and people in public places, such as parks. But not everyone is happy to be photographed. Giuseppe says: “Usually I quickly show these people the photos I have taken and hope that they will appreciate my creative impulse. Sometimes I show them my Instagram profile so that they can understand that I take pictures purely for the love of art, after which people usually calm down.

2. Find the best vantage point

To form a composition, first select the background, and then wait until the rest of the elements come together.

Crowded places represent one of the main challenges for working in this genre of photography. “Everything is constantly moving,” says Giuseppe. — And light, and people, and surrounding objects. Come to the same place tomorrow – and you will not see much of what was yesterday.

tips for taking better photos  Just accept the fact that you can’t control everything. All you can do is to think about the idea and try to predict how you will be able to implement it. It’s all about taking advantage of the scenario that the world around you has to offer.”

Giuseppe seeks to provide himself with more opportunities – first he finds a suitable background, and then he looks for a place from which to shoot. “When I work on crowded streets, I find a corner and patiently wait for the right person to get into the frame. I might change positions a bit to capture something from a different angle or create a different perspective, but most of the time I’m in a place where the background will blend in well with the people in the frame and just wait.”

3. Choose the right shooting mode to tell the story

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STREET PHOTOGRAPHY

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Shot with Canon EOS M6 Mark II + EF-M 32mm f/1.4 STM

• f/1.4
• 1/4000
• 100

The Canon EOS M6 Mark II ‘s large grip and lightweight, portable body make it ideal for extended street shooting.

Giuseppe has years of shooting experience behind him and says the best way to shoot street photography is with Aperture Priority (Av). “You don’t have to control everything at once, just aperture and maybe ISO tips for taking better photos.

You can choose higher ISO values ​​if you shoot at night, and during the day you can work with a faster shutter speed and a smaller aperture, which will increase the chances of capturing sharp shots with moving objects in focus tips for taking better photos.

Typically, Giuseppe uses an open aperture (small f-number), which allows him to create a special cinematic effect. “Shooting at f/1.4, f/1.8 or f/2.8, I can focus on the right subject and at the same time blur the background. This way it remains an important part of the story, without the viewer being distracted by the many details in the shot.”

4. Choose a lens according to the scene

Giuseppe included urban buildings in this composition, and the rails lead the viewer’s eye to the focal point in this frame (left).

Taken with: Canon EOS M6 Mark II + EF-M32mm f/1.4 STM. Giuseppe created this composition (right) by capturing similar colors in the interior of a bus with a range of foliage that can be seen outside the window tips for taking better photos.

“People may say that 28-55mm focal lengths are worth using for street photography because it creates a natural perspective that is closest to what the human eye sees,” says Giuseppe. “But for me, the background is just as important as the main subject, so I usually use 24mm or 28mm.”

When Giuseppe works with the Canon EOS M6 Mark II , he uses the Canon EF-M 32mm f/1.4 STM lens to create the wide-angle shots he loves tips for taking better photos.

“This lens is very versatile and suits almost every situation I work in,” he says. “I especially like how it allows you to create atmospheric compositions by focusing on the entire scene, rather than on one object.”

Recently, the photographer not only works in wide-angle mode, but also shoots from a long distance. “Recently I have found that I am comfortable working with telephoto lenses, although many professionals do not recommend using them.

I think that this opinion is rather stereotypical. Shooting at 85mm using a zoom telephoto lens such as the Canon EF-M 55-200mm f/4.5-6.3 IS STM allows me to maintain distance to the subject so as not to disturb their space, but at the same time isolate them in frame and create blurry backgrounds, which I like.”

5. Focus on your subject

Shot with Canon EOS M6 Mark II + EF-M 32mm f/1.4 STM

• f/1.4
• 1/200
• 800

Focusing on one subject in wide-angle shooting is one way to create a focal point and compose. This is the main technique by which Giuseppe achieves a cinematic effect.

According to Giuseppe, the Canon EOS M6 Mark II truly sets new standards for photography. “It has fast and accurate autofocus, and the face and eye tracking features are very effective.” However, Giuseppe encourages other street photographers to use manual focus for creative effects. “For example, I want to focus on one person in the center of the composition, but I want everyone passing by him to remain blurry to create a sense of movement. In such situations, manual focus will be more effective.”

6. Look for ways to create

Shot with Canon EOS 5D Mark III + Canon EF 24-70mm f/2.8L II USM

Shooting with focus on artificial light sources can make your images more atmospheric. Experiment with reflections for more unusual and creative street photography.

To create unique images, Giuseppe recommends using unusual angles or viewpoints. One of his favorite tricks is to use reflections from glass and other glossy surfaces. “I find people who are behind the glass, whether it’s a bus window or a cafe, and then I look for an interesting object in the reflection — it could be a building, a car, or another person,” he says. “This allows you to create multifaceted and atmospheric images.”

In addition to windows, Giuseppe urges to pay attention to puddles and ponds and use them to create interesting compositions.

He also recommends shooting against the sun and realizing the possibilities of artificial lighting. “Light is at the heart of photography, and we all know it, but it’s how lighting is used that determines how effective an image is,” he says. Harsh light or direct sunlight give you the opportunity to experiment with shooting silhouettes. “I look for a background that I like in backlight, then wait for the person to be in the frame at the right moment. This works especially great if you don’t want to include the person’s face in the frame.”

“It also happens that I use artificial light from street lamps or signs, as it creates an atmosphere and helps to emphasize the right areas of the frame.”

Shot with Canon EOS M6 Mark II + EF-M 32mm f/1.4 STM

• f/1.4
• 1/800
• 800

If you create the effect of stopping time by photographing such a scene, you can capture the street in a way that makes it look bright and lively.

If you want to try your hand at street photography, Giuseppe has a simple tip for you. “The more practice, the better,” he says. – If you persevere enough, over time you will hone your skills, achieve what you want and develop a special style. I am still doing this. I am always practicing my work. The best advice I can give you is to grab your camera and go shoot.”

Worried about shooting in a public place or people’s reactions? “Photographing people on the street is a hurdle to overcome,” Giuseppe adds. “The more you do this, the faster you will become comfortable, which will help you focus on what really matters, which is creating magical photographs.”

Take a prime lens, set the aperture from 7 to 11, ISO in auto mode – novice street photographers know these basic truths. But in street photography, the technical side is not more important than the creative side. Ingenuity, imagination, fantasy are more important than the quality of the image detail. We collected 12 life hacks with which street photos will be transformed.

To create unique images, Giuseppe recommends using unusual angles or viewpoints. One of his favorite tricks is to use reflections from glass and other glossy surfaces. “I find people who are behind the glass, whether it’s a bus window or a cafe, and then I look for an interesting object in the reflection — it could be a building, a car, or another person,” he says. “This allows you to create multifaceted and atmospheric images.”